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Logic pro x duplicate track with audio free -
Double-tracking is a great way to thicken up a vocal or instrumental recording, but it's not always practical to record multiple performances. In days gone by, engineers would set up ADT, or Auto-Double-Tracking, by recording a vocal part onto tape and using the delay between the record and replay tape heads to achieve a double-tracked sound.
Make sure you use the dual-mono version of the Pitch Shifter. This allows you to set different parameters for the left and right doubles. Logic's Pitch Shifter is a good choice for fake double—tracking, but since ADT is most often used on vocals, and most vocal recordings are mono, there are a few steps to go through before you load it up.
If you also set one side's Timing type as Vocals and the other to Manual, you'll be able to increase the delay time on the Manual side to add a little delay between the left and right channel Screen 3. Something around 25ms works well. You can either set the Mix parameters to percent wet, which will yield the classic double-tracked, hard-panned sound, or you can allow some of the unprocessed sound to get through, which in effect gives you three voices: double-tracked versions left and right, with the original recording in the middle.
On one channel, set the Timing mode to Manual. This lets you apply a delay between the left and right channels. This treatment works well for thickening vocals or beefing up big guitar solos, and if you find it useful, you can save it as a Channel Strip Setting or put it in your user library for next time you need to call upon it. Buy PDF version. Previous article Next article. New forum posts Re: New monitors to combat hearing loss. Charts - you are fake news!
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Logic pro x duplicate track with audio free.Duplicate tracks in Logic Pro
To save and reload Melodyne settings, follow the same procedures as for all other plug-ins. You can store alternative edits as additional presets and switch between them using the preset selector.
You can allow the Melodyne instance s to remain active until the final mixdown. If you do this, you will retain access to your Melodyne editing and will be able to make further refinements until the very last moment. This is convenient, but as long as the plug-in remains active it is draining the resources of your system.
This will deprive you of further access to your Melodyne editing but allow you to deactivate the plug-in and thereby free up resources. To bounce the track containing Melodyne in Logic Pro and make your editing permanent, proceed as follows:. Deactivate the effects you do not wish the new track to contain by ALT-clicking on the corresponding plug-ins. The EQ and compression, for example, are things you will also wish to adjust on the new track, so these should not be included.
Automation is a similar case: decide whether it should be included in the transfer or whether you would prefer to copy the existing automation to the new track later, in order to retain access to it there. In that case, deactivate the automation in the left-hand track area of the edit window or in the mixer prior to the bounce. You can also deactivate automation when bouncing tracks see below.
Select one or several regions. Now enter a name followed by the audio resolution parameters. Since Logic will automatically create a new track for the bounced material, you can decide now what you wish to do with the original track.
Once the bounce has been performed, to copy the automation data to the newly created track hold down the SHIFT key as you drag a selection within the automation data. Now all that remains is to reactivate the automation in the channel. To copy the plug-ins from the original track to the newly created one, drag them from the former to the latter, holding down the ALT key as you do so.
All that remains is to decide what to do with the original Melodyne tracks. You can either delete or else mute them, deactivating with the ALT key their Melodyne instances in order to spare resources. If you adopt the latter course, you will retain access to your original Melodyne editing and be able to make further refinements later simply by reactivating the tracks.
Generally you will want to use Melodyne as a plug-in in Logic Pro. This is the most convenient way of working; it means, moreover, that all Melodyne data is stored within your project structure, making archiving and passing on your project easier. Occasionally, however, you may wish to integrate the stand-alone version of Melodyne into Logic Pro as a Rewire client. This can be useful if, for example, you wish to adjust audio files swiftly to the project tempo.
When the program is integrated via Rewire, this happens automatically as soon as you drag an audio file from the finder or explorer and drop it in the Melodyne window. You can then play back the audio files at the correct tempo via Rewire and make further use of them in Logic Pro, enhancing them there perhaps through the application of additional plug-ins.
First launch Logic Pro. A dedicated channel strip will be created automatically in the Logic Pro mixer. You can open multiple Melodyne documents in this way and assign their audio output via separate channels to separate aux tracks in Logic Pro.
Now open Melodyne. This will launch Melodyne not as a plug-in but as a stand-alone application integrated via Rewire. The transport functions and tempo of the two programs will also be synchronized.
The presence of an active Rewire connection is indicated by the fact that the two Rewire output channels can be selected from within the Melodyne user interface. These will then be analyzed and adapted to the project tempo. When you have finished editing the sample s in Melodyne, you can transfer the corresponding audio signals via Rewire from Melodyne to Logic Pro and record them there.
Please note that data from Melodyne is not automatically saved along with your Logic Pro project when the two programs are linked via Rewire. To make it possible to recreate an earlier work situation, you must save the Melodyne document manually in the form of an MPD file — ideally in your Logic Pro project folder.
Should you require a smaller buffer, e. Mute and Solo Melodyne continues to play back its audio signal even when the audio region in the same part of the arrangement has been muted. Whilst this is the behavior it exhibits in all other commonly used hosts, to users of older versions of Logic it will at first seem strange.
When an audio region is rotated, it is converted to a one-track folder indicated by a folder icon in the upper-left corner of the region containing two regions. If it is rotated multiple times, the number of regions in the one-track folder stays the same, but the junction point between the two regions moves through the folder, reflecting the extent of the cumulative rotation.
You can unpack the one-track folder, or unpack and merge it to a single region, by clicking the folder icon and choosing corresponding commands from the menu that appears. You can use slip and rotate to move the content of audio or MIDI regions.
Tip: You can also move and resize regions numerically by opening an Event Float window. See Use the Event Float window. If more than one region is selected, all subsequent regions are moved. For audio regions, the region anchor is placed at the current playhead position. This command only works for timestamped audio files, such as those recorded in the current project, and imported Broadcast Wave or SDII files. Timestamped files are indicated by a clock symbol in the Project Audio Browser.
The regions are moved to the selected track, keeping their existing time positions. You can access Logic Pro key commands in the Key Commands window. If you initially move a region left or right, movement is limited to the horizontal axis. If you want to move a region from one track to another, release the mouse button, reselect the region, then drag it up or down. While this preference is selected, you can override it by pressing Shift when moving regions.
Move a region In Logic Pro, do any of the following: Drag a region left or right in the Tracks area to move it to a new point in the same track.
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